The Doors - "The Celebration Of The Lizard" - (Rejected Version).

"The Celebration Of The Lizard" is the lost album of the Californian group “The Doors”, officially began recording at the Sunset Sound Studios in november 1967 with the song: "The Unknown soldier"; followed by "Spanish Caravan" in January 1968.

The sessions continued on February 19 & 20 at the TTG Sound Studios in Hollywood, Ca. with what should be the main theme of the album: "The Celebration Of The Lizard". A long piece, about 17 minutes, although it seems that there were versions that far exceeded that duration, composed of seven poems with musical accompaniment of the band. 

The original plan was that this poetic musical piece to occupy one side of the album: B, while on the other would be the rest of the tunes, the two previous and others that would be completed until April : "My Wild Love"; "Five to One" or "Wintertime Love". After making a acetate, with what the boys wanted, the producer Paul Rothchild decided that this did not have enough quality and convinced the group to abandon definitely the idea of "The Celebration Of The Lizard" song and LP. Note: All songs are MONO versions.

Side A:(17:50)

1- Five To One.(4:28)

2- My Wild Life.(Alt.).(2:35)

3- Spanish Caravan.(2:59)

4- Wintertime Love.(1:54)

5.-We Could Be So Good Together.(2:25)

6- Unknown Soldier.(3:25)

Side B:(17:01)

1- The Celebration Of The Lizard.

  a.Lions In The Street.

  b.Wake Up!.

  c.Little Game.

  d.The Hill Dwellers.

  e.Not To Touch The Earth. 

  f.Names Of The Kingdom.

  g.The Palace Of Exile. 

However, the fact that the original project was abandoned; brought discontent among the members of “The Doors Bit.ly/68DRS4 Rothchild was becoming ever more perfectionist demanding take after take. Jim stopped being interested in the process of recording after his masterpiece is rejected. He retired and revolted and took refuge in alcohol.The sessions were getting worse and worse. Jim left the others waiting for hours and hours or wasn´t going to the studio.But the problems not finished here, Electra Records release a single: "The Unknown Soldier"/"We Could Be So Good Together",many radio stations avoid playing the song due to its war anthem.

The recording sessions were extended until the end of May, with a new song: "Waitting for the sun" that would give title to the new version of the album, although it was not included either; in addition to the update of two old themes from September 1965: “Hello, I Love You” and “Summer almost gone”; because there was not enough material to complete the album.

In June, the single: "Hello I Love You"/ "Love Street" is released, but is seen by many as a cheap way to reach positions in the “billboard” list,became the band's first hit album in the UK. Finally, “Waiting For The Sun” is officially released on July 12th, 1968 in stereo and mono mixes. This is the final album in which a complete mono mix is produced and released in the U.S.

As revenge, The Doors decide from then to include in the concerts “The Celebration Ofr The Lizard”.

Ok.., until here, this quick story.., the artwork: photos from three different places: black and white -TTG Studio February 19, 1968 "The Celebration of The Lizard” recording sessions. Booklet, an outtake "Waiting of the sun" photo sessions; and two more from Westbury Music Fair 1968, on April 19. The cover design from Bob Mage The Forum, Inglewood, Ca. Dec 14.68 poster concert. 

Enjoy it.

 

Buffalo Springfield Again (Unreleased pre-sales Stereo & Mono versions)

 

The second álbum from Buffalo Springfiled which name was "Stampede" was to be released in the spring 1967 to capitalize the hit: "For what it´s worth". A super hit recorded December 5 1966 and released on January 9.1967. the song reached Top Ten nationally, becoming one of the greatest rock hits the 20th Century. 
This great song was composed by Stephen Stills when witnessed the police violence ts in November, in which local law enforcement unfairly cracked down on the counterculture 'loiterers'. Influenced by the emerging madness and civil unrest of the 1960s..

But it was the same song that destroyed them because the band was not ready to attain superstardom so quickly, besides not bringing them very good luck. Since its publication the group was involved in problems that came one after the other such as the departure of vocalist/guitarist Neil Young had to briefly leave the group in January due to epileptic seizures,and bassist Bruce Palmer was arrested for marijuana possession and deported back to Canada. All this and more made the album "Stempede" was delayed first, being suspended afterwards.With the group almost separated, in mid-October, a different lp was compiled, called "Again". It was released on November 17.1967.

This is a reconstruction from a unreleased pre-sales version bit.ly/34hxe2 made only with composition from Stills & Young. The others three songs: "A Child's Claim to Fame", ”,”Sad Memory” and “God Time Boy” by Richie Furray, momentarily were out for being considered of inferior quality.

Side A:(17:09)

1.Rock & Roll Woman.(2:44)
2.Mr.Soul.(2:27)
   (Alternate version)
3.Broken Arrow.(5:40)
   (Alternate version)
4.Everydays.(6:16)
   (Alternate version) 

Side B: (16:18)

1.Expecting To Fly.(3:40)
2.Bluebird.(9:00)
   (1973 long version)
3.Hung Upside Down.(3:38)

Bonus track:

Bluebird.(3:06)
(Unreleased single version). 

The opening track "Rock & Roll Woman" allegedly includes vocals by Crosby, who also  had a hand in its composition; whether true or not, Stills acknowledges the genesis of the song was from jamming with Crosby. Young's extended piece "Broken Arrow" begins with "Mr. Soul" a song recorded live in the studio. Followed by “Everydays” by Stephen Stills with Jim Fielder on bass, replacing absent Bruce Palmer. At the end you can hear a unreleased piece called: “Raga #1“. as closure of side A.

The B side opens with “Expecting to Fly,"it was for a Neil Young solo project rather than for Buffalo Springfield. Phil Spector Wrecking Crew associate Jack Nitzsche provided the musical arrangements for "Expecting to Fly"; it does not feature any members of the Springfield. Nitzsche would continue to work with Young through the early 1970s on both his solo debut album and his best-selling Harvest, also becoming a member of Young's backing bands Crazy Horse and The Stray Gators.“Bluebird“ is a 1973 extended version from 2nd Buffalo Springfield compilation album. Another song by Stills closes the album: “Hung Upside Down”.

(UPGRADE!)

(The Pre-sales MONO version).

Side A:(17:22)

1.Rock & Roll Woman.(2:43)

2.Mr.Soul.(2:34)

   (Alternate version)

3.Broken Arrow.(5:38)

   (Alternate version)

4.Everydays.(6:27)

   (Alternate version) 

Side B: (17:12)

1.Expecting To Fly.(3:41)

2.Bluebird.(8:58)

   (1973 long version)

3.Hung Upside Down.(3:25)

4.Bluebird.(Reprise). (1:07)

The cover is the original drawing bit.ly/35rW4 by the American artist Eve Babitz without the group's photo montage.

Ok, enjoy it!  
Merry Xmas and happy NewYear!.

See you soon with more and better.

"Once Upon A Time in... Hollywood" - (AEC version)

This album is a special edition. The intellectual author is AEC "Album back from dead", I have simply given it physical life considering that it is a very good and intelligent contribution. In this compilation the line-up proposed by AEC has been respected, except: "Dinamite Jim" which has been changed to "Get Together", a song that Tarantino wanted to include in the soundtrack but it was not possible due to author rights. But let's see a summary of what AEC says on his blog:

Most of the music featured in the film is supposedly being heard on car radios broadcasting L.A.'s Boss Radio station KHJ on three days in 1969: Feb. 8 , 9 and Aug. 8. But if you look at the soundtrack for the film as compiled by director/writer Quentin Tarantino you'll find that songs are from years before and after 1969. It seemed to me that it would have been better to use songs that would have actually been played on the Top 40 station on those particular days.

But how do you know what songs were being played on KHJ on those particular days? While you can't be absolutely certain, there is a great resource for finding what the top hits on KHJ were on those weeks: https://93khj.blogspot.com/2008/05/khj-survey-index.html. I used the charts for the weeks of Feb. 5 , 12, and Aug. 6 to determine a new soundtrack for the film.

One important point is that not all of the songs featured in the film are on the official soundtrack album. I found this nice list of all the songs in the order they appear in the movie: https://screenrant.com/once-upon-time-hollywood-movie-soundtrack-songs/. At once point I planned to replace all the songs, but in order to keep hold of my sanity I decided to focus only on the 22-track soundtrack album.

Three songs on the soundtrack are actually on the KHJ lists: "Ramblin' Gamblin' Man" by the Bob Seger System, "Brother Love’s Traveling Salvation Show" by Neil Diamond and "Mr. Sun, Mr. Moon" by Paul Revere & the Raiders. So they're all kept. Also, in the film two other Paul Revere and the Raiders' songs, "Good Thing" and "Hungry" are in a scene where they're heard from an album playing rather than being heard on the radio. So I kept them. Finally, I also kept Jose Feliciano's "California Dreamin'" because I felt it was pivotal to the scene.

In other cases, I replaced a band's song with one by the same group, but which appears on the KHJ lists. These include replacing Deep Purple's "Hush" with the band's "River Deep, Mountain High"; and The Box Tops' "Choo Choo Train" with their song "Sweet Cream Ladies March Forward."From there, it was a matter of trying to find songs from KHJ's lists that matched the basic feel of the songs I was replacing.

I am kind of shocked that Tarantino didn't use "Quentin's Theme" which is originally from the "Dark Shadows" TV show and was a minor hit on KHJ's list. I mean, how appropriately coincidental is that?. Tarantino takes a number of liberties with "Once Upon a Time in ... Hollywood" regarding timeline, and that doesn't stop with the song selection. One part of the film shows a party at the Playboy Mansion, bit.ly/Ou-HH even through Hugh Hefner didn't move into the mansion until 1972. Plus, some characters are based on real people, and others are fabrications. And of course the climatic ending is a complete alternative history. So in that mindset, creating a soundtrack of songs from different years isn't far-fetched and Tarantino was more than likely going for a certain feel rather than historic accuracy. And on top of all that, licensing issues might have dictated what songs were available.

Still, I personally think my version would have worked just as well and have the added luxury of being tied to the time and place.

AEC. 

(for more information, please visit: http://albumsbackfromthedead.blogspot.com/ ) 

The line-up:

1.Can I Change My Mind. (2:53) (*)

Tyrone Davis 

2.Crimson and Clover. (3:25) (*)

Tommy James and the Shondells 

3.Ramblin’ Gamblin’ Man. (2:16) (*)

The Bob Seger System

4.You Showed Me. (3:12) (*)

The Turtles

5.River Deep, Mountain High. (5:48) (edit) (*)

Deep Purple 

6.Mendocino. (2:36) (*)

Sir Douglas Quintet

7.I’m Living in Shame. (2:57) (*)

Diana Ross and The Supremes

8.Sweet Cream Ladies March Forward. (2:12) (**)

The Box Tops

9.Proud Mary. (3:04) (*)

Creedence Clearwater Revival

10.Good Thing. (3:02) (^^)

Paul Revere & The Raiders

11.Hungry. (2:54) (^)

Paul Revere & the Raiders

12.This Girl is in Love with You. (4:07) (*)

Dionne Warwick

13.I Got a Line on You. (2:39) (*)

Spirit

14.Long Green. (3:12) (**)

The Fireballs

15.Brother Love’s Traveling Salvation Show. (3:24) (+)

Neil Diamond

16.The Nitty Gritty. (3:00) (***)

Gladys Knight and the Pips

17.Mr. Sun, Mr. Moon. (2:46) (*)

Paul Revere & the Raiders

18.What Kind of Fool Do You Think I Am?. (2:04) (***)

Bill Deal and the Rhondels

19.California Dreamin’. (4:08) (++)

Jose Feliciano

20.Get Together. (4:36) (***)

The Youngbloods

21.I’d Wait a Million Years. (3:18) (***)

Grassroots

22.Quentin's Theme. (2:01) (***)

The Charles Randolph Grean Sounde

(93 KHJ Boss 30 - June 15.1966) (^)

(93 KHJ Boss 30 - November 30.1966) (^^)

(93 KHJ Boss 30 - July 3. 1968) (++)

(93 KHJ Boss 30 - February 5.1969) (*)

(93 KHJ Boss 30 - February 12.1969) (**)

(93 KHJ Boss 30 - February 19.1969) (+)

(93 KHJ Boss 30 - August 6.1969) (***)

Enjoy it. See you soon with more and better.

 

Prince: "Camille" - Unreleased 1987 Project - Unedited

"Camille" was one of the many projects Prince left unpublished. Realized in a moment of change of the singer, surrounded of mystery as far as his conception, because for it Prince resorted to the magic and the spiritism in search of a new identiti as artist 

Apparently this work was inspired by the 19th century French intersex spirit: "Herculine Barbin", who also used the alias "Camille" and was the subject of the 1985 film Mystère Alexina.

Years later, with the artist (Prince) deceased, a few copies were distributed promotionally without any type of artwork, with only eight his ten original songs with the setlist slightly altered. Here´s the original and complete project.

On August 1986 Prince abandoning his double Lp “Dream Factory”, shortly after breaking up his backing band “The Revolution”. Between September & October, at Sunset Sound in Hollywood, California with the engineer: Susan Rogers, recorded a new project. In it, Prince experimenting with his vocals in an artificially pitched-up style, achieved either by using a pitchshifter or by recording his vocals at a slower tempo and then speeding up the tape to create a higher, androgynous tone.

At the end of October he had completed an album which he planned to release pseudonymously under Camille's name as a self-titled debut with next setlist:

Side A: (22:17) 

1.- Rebirth of the Flesh.(4:57)

2.- Housequake.(4:29)

3.- Scarlet Pussy.(4:15)

4.- Shockadelica.(3:29)

5.- Good Love.(5:05)

Side B: (21:30) 

1.- U Got The Look.(4:16)

2.-If I Was A Girlfriend.(4:47)

3.- Strange Relationship.(4:21)

4.-Feel U Up.(3:42)

5.- Rock In A Funky Place.(4:22) 

But a few days later, on November 5, Prince edit the album once again leaving it with only eight songs, removing: “Scarlet Pussy", which was released as the B-side of the 1988 single "I Wish U Heaven" and “U Got the Look”, also released later in 1987 as a single from double LP “Sign o' the Times”: 

Side A: 1.-Rebirth of the Flesh. 2.-Housequake. 3.-Strange Relationship. 4.-Feel U Up.

On August 1986 Prince abandoning his double Lp “Dream Factory”, shortly after breaking up his backing band “The Revolution”. Between September & October, at Sunset Sound in Hollywood, California with the engineer: Susan Rogers, recorded a new project. In it, Prince experimenting with his vocals in an artificially pitched-up style, achieved either by using a pitchshifter or by recording his vocals at a slower tempo and then speeding up the tape to create a higher, androgynous tone.

At the end of October he had completed an album which he planned to release pseudonymously under Camille's name as a self-titled debut with next setlist:

Side A: (22:17) 

1.- Rebirth of the Flesh.(4:57)

2.- Housequake.(4:29)

3.- Scarlet Pussy.(4:15)

4.- Shockadelica.(3:29)

5.- Good Love.(5:05)

Side B: (21:30) 

1.- U Got The Look.(4:16)

2.-If I Was A Girlfriend.(4:47)

3.- Strange Relationship.(4:21)

4.-Feel U Up.(3:42)

5.- Rock In A Funky Place.(4:22) 

But a few days later, on November 5, Prince edit the album once again leaving it with only eight songs, removing: “Scarlet Pussy", which was released as the B-side of the 1988 single "I Wish U Heaven" and “U Got the Look”, also released later in 1987 as a single from double LP “Sign o' the Times”: 

Side A: 1.-Rebirth of the Flesh. 2.-Housequake. 3.-Strange Relationship. 4.-Feel U Up.

Side B: 1.-Shockadelica. 2.-Good Love. 3.-If I Was A Girlfriend. 4.-Rock In A Funky Place. 

With this new set list, the project with catalogue number 1-25543, was planned for January 1987, preceded by the single: “Shockadelica / Housequake”, But was canceled. Why?. It seems that there were several reasons, one of them tell us: Prince informed Warner Bros. that his image would not appear on the cover and that he would not acknowledge the album as his own work; something that Warner´s executives did not like to and everything indicates this could be the main reason.

Although there is another version that says: Prince had gotten involved in somewhat dark matters of spirits and magic, Camille Bit.ly/88PCC was really a spirit that had possessed the singer, but this entity had abandoned it before that he finished the project, when Prince returned to himself, he had lost interest in publishing this new work dictated from another dimension.

Prince later invoked, once again to Camille for new future project, but the singer this time was possessed by a more demonic entity named “Spooky Electric”. Which led him to a new project:“The Black album” (released in 1994).

Or maybe the solution is simpler than all of the above, without that nothing said was not true: Prince instead decided to expand on the project by incorporating new tracks, resulting in the three-disc set “Cristal Ball”. 

Whatever it was,"Camille" was suspended and when the project was developed into "Crystal Ball", (1st sequenced on 30 November 1986), seven of the eight tracks were kept, only "Feel U Up" was removed. But when Warner forced to Prince to reduce the content of the project to two discs, only four tracks were survived: "Housequake"; “If I Was Your Girlfriwnd” & “Strange Relationship” recorded in 1982; with “U Got The Look”. This new work was renamed as: “Sign o' the Times”. 

Others songs from this unreleased project, (I speak of “Camille”), as: "Shockadelica," was later included as a B-side of "If I Was Your Girlfriend". "Good Love" was later released on the "Bright Lights, Big City" film soundtrack in 1988. "Feel U Up'" recorded in 1981,was released in 1989 as the B-side of "Partyman". The opening track "Rebirth of the Flesh,", released: 28 August 2001 - NPG Music Club Edition # 8 mp3 download.

Photo: Although "Camille" never had a final cover, if there were several sketches, one of them a stick figure with X's for eyes or the model (Cat Glover) - professional choreographer, backing vocalist and dancer on "the Sign o' the Times Tour" and "Lovesexy Tour" - with a head of heart, photos later used in the video "U got the look", or in the double Lp: “Sing O´The Times”. Here I used the second.

That´s all. Enjoy a very good album that Prince should have published officially, in its full version that I bring here.

See you soon.

 

Maurice Gibb: "A Breed Apart" - (Reconstructed unreleased 1984 soundtrack)

 

Hi, everybody!, Oscars month and we started it off with a unreleased soundtrack reconstructed. This is a special record, very, very difficult to reconstructed. I think that, one of the most. It has been a personal challenge, it took me almost a year to achieve it, because the material has been very complicated to find and then it had enough quality to be able to work and include it. The entire soundtrack has been restored and improved as much as my technical means have allowed me, but I think the result has been more than acceptable. But before we enjoy it, let's take a quick look at its history.

A Breed Apart  soundtrack by Maurice Gibb in his second collaboration with Jimmie Haskell, succeeded as a film score composer. A Breed Apart features Maurice’s score and two songs by Maurice.

The story takes place on an island that is home to rare eagles and a loner named Jim. A visitor named Mike comes to see the eagles, but once Jim leaves the island to see his friend Stella and her son Adam on the mainland, Mike plans to steal an eagle’s eggs for a collector he works for. The main title song ‘Hold Her in Your Hand’ appears to be about both Stella and the eagle. The other song ‘On Time’ appears in a scene during Jim’s visit to Stella.

The soundtrack was the very last recording session at the famous Gold Star Studio in Los Angeles in 1984.bit.ly/M-CiNn Maurice attended even though he did not play on the soundtrack— or so he believed. Jimmie Haskell said years later that he was very impressed by Maurice’s demos, especially his sensitive playing of the flute parts. He thinks Maurice did not know it, but Jimmie mixed the synthesizer flute into the finished recordings because he liked the sound so much.

The titles, timings, and running order above are from the tape box, which lists Maurice as producer and Dennis Hetzendorfer as engineer. These are the finished tracks for the soundtrack album. The score for the film itself included different and alternate recordings of the same musical themes. Maurice and Jimmie prepared a soundtrack album that was not released. This is the original line-up:

Side One: (16;02)

1.Hold Her In Your Hand.(4:22) / 2.A Breed Apart.(1:59) / 3.Jim's Theme.(3:17) / 4. Solitude. (2:34) / 5.The Intruders.(3:48)

Side Two: (19:36)

6. On Time [Rmk] (3;39)  / 7.Mike And The Mountains.(1:38) / 8. Adam's Dream.(3:56) / 9.A Touch Apart.(3:20) / 10.The Breed Ending.(2:29) / 11.Hold Her In Your Hand [Instrumental version].(4;30).

All songs by Maurice Gibb, except: track 1 & 11 by Maurice Gibb & Barry Gibb.

Jimmie Haskell — orchestral arrangement, /  Maurice Gibb — synthesizer, lead vocal on "Hold Her in Your Hand" and "On Time" / Dennis Hetzendorfer — engineer. / Maurice Gibb – producer.  February 1984, Gold Star, Los Angeles

A single of the new song, ‘Hold Her in Your Hand’, was released on September 1984 in Britain (Audiotrax) and by RCA in Australia, and South Africa. It was originally recorded by the Bee Gees  in the sessions of Living Eyes in 1981, but was not released at that time. The song was re-recorded for the film A Breed Apart.

The country ballad-style would have made it ideal for Kenny Rogers (as the Gibbs wrote songs for him in 1983) The instrumental mix Maurice made for the B side has a little of his backing vocal in it.

Finally, among all the discarded material I include some extras that I consider reach enough quality not to spoil this soundtrack.

Bonus tracks: (21:17)

12.A Breed Apart [Alternate] (2:16) / 13. The Intruders [Alternate Rough Mix] (3:37) / 14.On Time  (2:59) (Original Version) (*) / 15.Hold Her In Your Hand [Alternate Mix] (4:26) (**) / 16.Hold her in your hand [Instrumental Alternate Mix] (4:09) / 17.Hold Her In Your Hand (sung by Samantha Gibb) (3:47)

(*) B-side "My World" single.  Released on 14 January 1972. "On time" was recorded on 21 October1971 at IBC Studios. London. England.

(**) "Living Eyes Outtake".

Ok.., I hope you like it, I think so. Be good and see you soon with another promised soundtrack. Can you keep a secret? .., me too!.

Genesis - "Three Sides Live" - Reconstructed Original Project.

 

In December 1981, Genesis wrapped their four-month tour of Europe and North America to support the release of their eleventh studio album: "Abacab".

During the first months of 1982 the group selected recorded material during this tour for a new work.The result ,the third live album released as a double lp on 4 June 1982, on Charisma Records in the United Kingdom and by Atlantic Records in the United States; with a movie, wich was released on Betamax and VHS sistems.

This is a reconstruction of how this project was initially conceived to make it coincide with the content of the film.

"Abacab" was released on 18 September 1981 by Charisma Records, after their 1980 "Duke" World Tour. The album recorded at The Farm, a studio bought by the group in Chiddingfold, Surrey. The recording sessions were brief but very profitable; it began in May and ended shortly after in June. It was a commercial success for the band, reaching No. 1 on the UK Albums Chart and No. 7 on the US Billboard 200.

The Abacab Tour was a European and North American concert tour, that began in September 25 1981 in Barcelona “Plaza de Toros – La Monumental” and ended with four shows in Birmingham,England at Resorts World Arena, the last one in December 23 1981. A short world tour but very, very intensive with 65 shows, practically one daily. The pace of work of the group was very intense, partly to forget the disastrous private life that the members of the band were going through, with divorces, separations and economic problems and health problems. 

The tour also marked the first appearance of the Vari-Lite automated lighting system. It was filmed by Stuart Orme and a movie was made with songs from two shows:  28 and 29 November 1981 at the Savoy Theatreand Nassau Coliseum, New York, respectively, but Some of the featured songs are incomplete due to editing. At the same time an live album was made following of the film sequence, Bit.ly/Gen3sl81 but adding a concert more recorded at National Exhibition Center. Birmingham, England on 23 December 1981 being as follows:

Side A: (19:11)

1.Behind The Lines. (5:28)

2.Duchess. (6:24)

3.Dodo / Lurker. (7:17)

Side B: (18:44)

4.Abacab. (8:42)

5.Me & Sarah Jane. (6:00)

6.Misunderstanding. (4:01)

Side C: (20:28)

7.No Reply At All. (4:50)

8.Man On The Corner. (3:45)

9.In The Cage Medley. (11:51)

"In the Cage" "The Cinema Show" "The Colony Of Slippermen"

Side D: (19:17)

10.Afterglow. (4:45)

11.Turn It Again. (5:12)

12.I Know What I Like (In Your Wardrobe). (9:20)

1,2 & 11 - at Nassau Coliseum. Uniondale, New York on 29 November 1981.

3,4,5,9,10 & 12 - at National Exhibition Centre. Birmingham, England on 23 December 1981.

6,7 & 8 -  at Savoy Theatre. New York City, New York on 28 November 1981. 

The project was later altered to make it more commercial, changing the original positions of the songs..There´s two versions: with “Evidence of autumn” and “Open Door” outtakes from “Duke”; and “Paperlate", "You Might Recall", and "Me & Virgil", outtakes from “Abacab”, with “ were included on the North American edition and other with: “One For The Wine”, “Fountain of Salmacis” and “"it."/"Watcher of the Skies”, recorded on tour between 1976 and 1980.

Some of the songs from the original project that were rejected as: “Man On The Corner” or “No Reply At All” were included years later in Genesis Archive 2: 1976-92”. .Others are yet to be published: “I Know What I Like (In Your Wardrobe)”. And it's a shame that this last song was left out, because the interaction that takes place with the audience makes it perhaps one of the best songs on the tour.

Even so, "Three Sides Live" reception was a commercial success, peaking at No. 2 on the UK Albums Chart and No. 10 on the US Billboard 200, where it sold 500,000 copies.

Ok!.., That´s all, see you soon, If you want, with more and better, I hope.